As we as a society reckon with our imperial history and the difficult legacies associated with it, discussions regarding our collective memory of slavery have started to gain traction. Using the example of Liverpool, The Bristorian delves into the power walking tours and 'grassroots' memorialisation have in altering and informing our perceptions of slavery for the better.

The Bristorian begins its Black History Month initiative by delving into the fascinating story of Tom Molineaux, a former slave turned bare-knuckle boxer. Having fought his way to freedom, this piece explores his heroic journey to the final of the English Championship, along with all the bloodshed and scandal that came with it.

Robert Henri is widely considered as one of America’s most influential artists – through his stunning portrayals of life in New York City, and as a pioneer of the Ashcan School of American realism. In this piece, The Bristorian explores the significance of two of his most charming portraits, that of Dutch Joe (1910) and his Portrait of Willie Gee (1904).